Pick an amp. Pick a squad.
Or take the whole genre.

The modern workhorse that bridges the 80s and djent — from a genuinely pristine clean to one of the most-recorded lead channels in metal. Each channel captured as its own full gain sweep, with per-channel EQ memory on the head.

The all-black revision, voiced darker and meaner — tighter lows and a more aggressive midrange across all three channels. Same treatment: three real channels, three gain sweeps, one head.

The nu-metal to modern rock icon with both of its personalities intact. Orange and Red channels, each with its Vintage and Modern voicing switch — four captured identities, and each channel remembers its own voicing and knob settings.

The German high-gain head behind two decades of modern metal — tight, saturated and never woolly. Its three overdrive channels, each with its own gain sweep and its own tone stack. The channel numbers are the real amp's, because its clean channel is a fourth thing entirely.

The block-letter head and its plus-panel successor as one bundle — five captured channels of the high-gain sound that defined a genre, each its own full gain sweep, each head with its own faceplate. One key unlocks both.

The boutique lead standard behind a decade of hard rock: the Normal channel in both its clean and crunch voicings, plus the Overdrive channel people buy this amp for. Each channel has its own preamp and master on the head, exactly as the hardware switches it — and its own full gain sweep.

Three genuinely different circuits in one head, not three settings of one — a chiming Rhythm 1, the thick Rhythm 2, and the singing Lead channel that is the sound of American rock radio. The Mark-series graphic EQ sits on the panel where the hardware puts it.

The modern boutique king, whole: the BE and HBE circuits, each with its FAT switch, on the one knob row the real panel has — flipping a switch never moves a knob, because it doesn't on the amp. Seventeen captures per voice.

The mystique amp as a bundle: the ODS-100's three channels captured as full rig and as DI for your own cab, plus the hot-rodded HRM sibling with its own finish. One key unlocks all of it.

The $10k holy grail. Eight mix-ready rigs, each as FULL and DI, and a 24-capture sweep of its lead channel on one gain knob. The one amp here that is still a hero pack rather than a whole head.

The 50-watt plexi classic rock is built on — the High Treble and Normal channels, plus the jumped configuration with both bridged by a patch cable, which is how the amp is actually played. One shared knob row, true to the panel, and a gain sweep on every one of the three.

The rock amp, and our launch gift: its full gain sweep with a real working gain knob is in every download, no key needed. The head every other amp here is compared against.

Hand-wired class-A chime with four front ends: the woody EF86 pentode and the familiar 12AX7, each through Bass and Treble inputs. One shared knob row, true to the hardware — and its VOLUME is the captured gain sweep, because on this amp volume is the drive.

Hand-wired class-A chime, one channel deep — so it ships in hero-pack form: the full gain sweep on its own faceplate, plus three finished rigs, their DI twins and three presets. The sweep auditions free in the app like any head.

The most-recorded clean amp ever, whole: Normal and Vibrato channels on their own inputs, each a full gain sweep. And the two things that make it that amp — the spring reverb and the bias tremolo — are modelled into the head where the hardware puts them, so the tremolo throbs the reverb tail too.

The tweed bass amp that guitarists took over: Bright and Normal on their own inputs, plus the jumped setting with both bridged — the fat, blooming sound people come to a tweed for. One purchase carries both halves: the full rig with its cab, and the same three channels captured pre-speaker for your own IR.

Recto-style, 5153-style and German high-gain 4x12s - tight and scooped, the cabs that hold up under a downtuned rhythm track. 51 impulse responses, measured with a calibrated capture rig.

Greenback, basketweave and pre-Rola style British 4x12s - the classic-rock stack in every weave and cone it was built with. 53 impulse responses, measured with a calibrated capture rig.

Tweed, brown-panel and Bassguy-style cabs - the sound behind every shuffle, slow blues and roots-rock rhythm part. 45 impulse responses, measured with a calibrated capture rig.

Blackface-style 2x12s, a Jazz 120-style combo and a shelf of boutique combos - clean tones that sit in a mix without EQ. 39 impulse responses, measured with a calibrated capture rig.

AC-style blues, silvers and top-boost 2x12s, plus the boutique combos that ring the same way. 29 impulse responses, measured with a calibrated capture rig.

Hot-rodded Brit-style, SLO-style and 5153-style 4x12s - the lead-channel stack of the modded era. 35 impulse responses, measured with a calibrated capture rig.

EV12-loaded 4x12s and flat-response British and boutique 2x12s - headroom, note separation and a flat midrange. 31 impulse responses, measured with a calibrated capture rig.

Citrus-style 4x12s, Bassguy-style 4x10s and big 15s - the cabs that move air under a fuzz pedal. 31 impulse responses, measured with a calibrated capture rig.

The small blackface and tweed combos behind every chicken-pickin' record - 1x10s, 1x12s and the 3x10. 29 impulse responses, measured with a calibrated capture rig.

One licence that unlocks all nine genre packs — €45 bought one by one. Like every pack here, buying removes the encryption: EXPORT gives you plain 48 kHz WAVs to use in any IR loader, DAW or hardware unit, forever.